2737612

The Daughters of Dust

Popularity

Building your popularity is crucial to your success as an artist. Build your popularity by performing well on stage and talking to the media while you tour the world.

City Popularity Exposure
Amsterdam 3 bottom dwelling 57
Ankara 3 bottom dwelling 13
Antalya 3 bottom dwelling 9
Baku 3 bottom dwelling 10
Barcelona 13 pleasant 48
Belgrade 14 good 57
Berlin 10 above average 64
Brussels 13 pleasant 39
Bucharest 13 pleasant 46
Budapest 14 good 52
Buenos Aires 3 bottom dwelling 15
Chicago 3 bottom dwelling 6
Copenhagen 12 nice 77
Dubrovnik 14 good 59
Glasgow 7 poor 65
Helsinki 14 good 64
Istanbul 3 bottom dwelling 9
Izmir 3 bottom dwelling 10
Jakarta 3 bottom dwelling 13
Johannesburg 3 bottom dwelling 10
Kyiv 13 pleasant 43
London 14 good 38
Los Angeles 3 bottom dwelling 9
Madrid 14 good 54
Manila 3 bottom dwelling 11
Melbourne 3 bottom dwelling 7
Mexico City 3 bottom dwelling 22
Milan 15 sweet 60
Montreal 3 bottom dwelling 8
Moscow 13 pleasant 53
Nashville 3 bottom dwelling 11
New York 3 bottom dwelling 7
Paris 14 good 49
Porto 14 good 56
Rio de Janeiro 3 bottom dwelling 13
Rome 15 sweet 63
São Paulo 3 bottom dwelling 11
Sarajevo 14 good 44
Seattle 3 bottom dwelling 9
Shanghai 3 bottom dwelling 7
Singapore 3 bottom dwelling 10
Sofia 3 bottom dwelling 7
Stockholm 3 bottom dwelling 5
Tallinn 13 pleasant 59
Tokyo 3 bottom dwelling 10
Toronto 3 bottom dwelling 10
Tromsø 3 bottom dwelling 10
Warsaw 3 bottom dwelling 13
Vilnius 3 bottom dwelling 5

Market Segment Popularity

To increase your popularity within a market segment, you need to cater to its interests. Your Market Segment Popularity is determined by how much the market segment like the genres represented on your records and by how famous you are throughout the world. Your record sales are partially based on how popular you are among the different Market Segments.

The market segment popularities for this artist was last updated 6/9/2025.

Market Segment Popularity
Adult Women 30
Adult Men 28
Teenage Girls 27
Teenage Boys 23