Popularity

Building your popularity is crucial to your success as an artist. Build your popularity by performing well on stage and talking to the media while you tour the world.

City	Popularity	Exposure
Amsterdam	3 bottom dwelling	9
Ankara	3 bottom dwelling	5
Antalya	3 bottom dwelling	5
Baku	6 terrible	15
Barcelona	4 horrendous	11
Belgrade	3 bottom dwelling	5
Berlin	3 bottom dwelling	5
Brussels	9 mediocre	42
Bucharest	3 bottom dwelling	5
Budapest	3 bottom dwelling	5
Buenos Aires	3 bottom dwelling	5
Chicago	3 bottom dwelling	5
Copenhagen	6 terrible	18
Dubrovnik	5 dreadful	10
Glasgow	3 bottom dwelling	5
Helsinki	10 above average	84
Istanbul	4 horrendous	5
Izmir	3 bottom dwelling	5
Jakarta	3 bottom dwelling	5
Johannesburg	3 bottom dwelling	5
Kyiv	3 bottom dwelling	5
London	3 bottom dwelling	5
Los Angeles	4 horrendous	16
Madrid	3 bottom dwelling	5
Manila	3 bottom dwelling	5
Melbourne	4 horrendous	7
Mexico City	7 poor	35
Milan	10 above average	33
Montreal	3 bottom dwelling	5
Moscow	12 nice	62
Nashville	3 bottom dwelling	5
New York	8 below average	31
Paris	3 bottom dwelling	5
Porto	3 bottom dwelling	5
Rio de Janeiro	6 terrible	18
Rome	3 bottom dwelling	5
São Paulo	6 terrible	5
Sarajevo	3 bottom dwelling	5
Seattle	3 bottom dwelling	5
Shanghai	3 bottom dwelling	5
Singapore	3 bottom dwelling	5
Sofia	5 dreadful	5
Stockholm	11 decent	50
Tallinn	3 bottom dwelling	5
Tokyo	3 bottom dwelling	5
Toronto	3 bottom dwelling	5
Tromsø	8 below average	7
Warsaw	5 dreadful	9
Vilnius	3 bottom dwelling	5

Market Segment Popularity

To increase your popularity within a market segment, you need to cater to its interests. Your Market Segment Popularity is determined by how much the market segment like the genres represented on your records and by how famous you are throughout the world. Your record sales are partially based on how popular you are among the different Market Segments.

The market segment popularities for this artist was last updated 5/29/2025.

Market Segment	Popularity
Teenage Girls	38
Adult Women	38
Adult Men	28
Teenage Boys	28